1-28-15

Observational Drawing

Week 2: Assignment 1 Practice Exam

Assignment 1: Exam

Grading Summary

These are the automatically computed results of your exam. Grades for essay questions, and comments from your instructor, are in the "Details" section below. Date and Time Started: 1/28/2015 12:57:12 AM Time Spent: 01 min , 25 secs Points Received: 30 / 30  (100%) Question Type: # Of Questions: # Correct: True/False     5         5     Multiple Choice     5         5

Grade Details - All Questions

Question 1. Question : The structure of an object can be thought of as the framework that supports the surface planes of the form. Student Answer:  True  (Virtually everything in life can be visually interpreted as its closest basic geometric shape or a combination of basic shapes that define the structure of an object. These shapes are used as “building blocks,” and they allow us to simplify subject matter for the purpose of establishing perspective and spatial relationships in the overall composition. This structure can be thought of as the framework that supports the surface planes of the form.)  False Points Received: 3 of 3 Comments: Question 2. Question : Foreshortening is the illusion of an object or subject coming toward the picture plane or the viewer. Student Answer:  True  (Foreshortening is the illusion of an object or subject coming toward the picture plane or the viewer. For instance, a drawing of a person pointing toward the artist would result in a foreshortened point of view of their hand and arm.)  False Points Received: 3 of 3 Comments: Question 3. Question : What is the first step in the 4-step drawing process? Student Answer:  Geometric shapes and platonic form  The “stick still life” or gesture (Step 1 in the 4-Step Drawing Process is: The “Stick Still Life” or Gesture, shown here. The “stick still life,” is a gestural sketch used to spontaneously capture and describe the basic structure and balance of your drawing. This is approached by quickly mapping out the relative position, direction, and proportion of your subject matter using “stick” lines that define the center axis of each object.)  Big lights and big darks  Transitional values and detail Points Received: 3 of 3 Comments: Question 4. Question : What is Proportion? Student Answer:  The relative scale and relationships of the parts of a single object  The comparison in size of multiple objects to one other  a only  Both a) and b) (Proportion refers to the relative scale and relationships of the parts of a single object or the comparison in size of multiple objects.) Points Received: 3 of 3 Comments: Question 5. Question : Object Relationship is also referred to as spatial relationships. Student Answer:  True  False Points Received: 3 of 3 Comments: Question 6. Question : In steps 1–3 of the 4-step drawing process, your goal is to sketch in all parts of the drawing as quickly as possible using a very tight and controlled approach. Student Answer:  True  False  (In steps 1-3 of the 4-step drawing process, you goal is to sketch in all parts of the drawing as quickly as possible, but the approach is to make sure to sketch lightly with very loose and gestural strokes. Using a very tight and controlled approach is counter-productive to the process.) Points Received: 3 of 3 Comments: Question 7. Question : Sighting does not use object or spatial relationships to define the scale and/or placement of objects within a composition. Student Answer:  True  False  (Sighting is a method of determining visual measurements and object relationships by starting out with a basic unit of measurement and comparing it to other areas of a scene to define scale and placement. Sighting helps to record object relationships, such as where the top line of one object falls in relation to an object behind it. Object relationships are also referred to as the spatial relationships within a composition.) Points Received: 3 of 3 Comments: Question 8. Question : What is the Horizon Line? Student Answer:  The eye level of the artist (The horizon line refers to the eye level of the artist. This line establishes the perspective of the rest of the piece, so it is important that the artist maintains a consistent eye level or view of the subject they are drawing throughout the drawing process.)  The illusion of an object coming toward the viewer  The relative scale of a single object  An imaginary line that runs down the center or middle of an object Points Received: 3 of 3 Comments: Question 9. Question : What does the key objective for breaking objects down into basic geometric shapes require? Student Answer:  Grounding your objects convincingly to the surface plane  Planning the necessary volume or space that each object needs to exist in space  Answer a)  Both answers a) and b) (The key objective for breaking objects down into basic geometric shapes is to ground your objects convincingly to the surface plane and to plan the necessary volume or space that each object needs to exist in space.) Points Received: 3 of 3 Comments: Question 10. Question : What is the second step in the 4-step drawing process? Student Answer:  Big lights and big darks  The “stick still life” or gesture  Geometric shapes and platonic form (Step 2 in the 4-Step Drawing Process is: Geometric Shapes and Platonic Form, shown here. At this stage, begin to think about your stick still life as simple. Three-dimensional forms that have depth and are defined in illusory space. This should be approached as a method of searching out the basic shapes and forms of your scene. The background and the surface plane that your arrangement is sitting on should be included to avoid the impression that your objects are floating in space. Consider each element of your scene, and lightly sketch in its closest geometric shape, or break it down into more than one geometric shape.)  Transitional values and detail Points Received: 3 of 3